Ep 20: Top 10 Moments That Shaped Me as a Writer, Part 2

Ep 20: Top 10 Moments That Shaped Me as a Writer, Part 2

[TheChamp-Sharing]

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This week's episode is sponsored by Be a Writing Machine!

Learn how all of Michael's top 10 moments converged into helping him become a writer. Learn the story of him searching for his biological father, his near-death experience in 2012, and more!

SHOW NOTES

Quick overview of this week's show:

  • My top 5 moments that shaped me as a writer (follow up to Episode 11, so if you missed it, check it out and come back here)
Sound/Music Credits for this week's episode

Intro/Outro Music: “Kick. Push” by Ryan Little.

Sound Effects/Miscellaneous Credits:

 

Sound effects courtesy of Freesound.org.

TRANSCRIPT

In this week’s episode I’ll be following up on the Top 10 Moments that Shaped Me as a Writer. I’ll be talking about my Top 5.

***

Hello, and welcome to episode 20 of the podcast! I’m twenty episodes in, and the podcast doesn’t feel new to me anymore. Thanks to everyone that has tuned in so far, and here’s to a bright future to the podcast!

In episode 11, I counted down the first half of the Top 10 Moments that Shaped Me as a Writer. If you haven’t heard that episode, you can find it at michaellaronn.com/episode11.

Anyway, the first round was finding my biological father, taking WMG Workshops with Dean Wesley Smith, reading the works of Swami Vivekananda and Ray Bradbury, and learning how to speak Spanish. Those experiences developed me as a writer in important ways, and if you read my work, their influence on me is obvious.

So let’s jump into my Top 5, shall we?

Top Moments in My Creative Life, #5-4

#5 is writing music. As you guys know, I started my creative career as a musician. I was writing songs in high school, and very active in band. I'd come home from school, do my homework, practice my saxophone, and then I'd write music.

I had a computer program that allowed me to capture my ideas and it would play them back for me. I would try to recreate my favorite songs in this app, and I started with TV themes. I collected TV Themes because they were so fun to play. Because smartphones didn’t exist, I carried around a CD of my favorite TV Themes.

Matlock. The Odd Couple. Knight Rider. Alf. I Love Lucy. Moonlighting. The Cosby Show. The Greatest American Hero. Great music.

Anyway, writing music was important in my development as a writer, and my love of TV Themes brings me to #4, which is my friendship with my friend, Will.

When I was collecting TV Themes and writing music, it turns out he was doing the exact same things as me—learning how to play music and write it. I don’t even remember how we met, but we were in marching band together and we ended up talking about TV Themes and I shared my CD with him.

Thirteen years later, we’re best friends. Music-wise and life-wise, we’re on the same wavelength.

I can remember hours and hours spent at both our houses, writing songs.

Now, I’m a creative, but he’s even more of a creative than me. I remember learning so much watching him play music, explore his guitar and piano as we figured out chord changes. He has an incredible eye and ear, and working with him taught me to sharpen my eyes and ears, too.

Will is musician these days so he stayed on the music route, but we’re still best friends all these years later.

Top Creative Moments in My Life, #3-2

#3 is The Creative Penn by Joanna Penn. I’ll talk more about the circumstances that led to me finding Joanna in my #1 item, but listening to Joanna’s podcast and reading her blogs inspired me to be an indie author. If I hadn’t done that, I would probably be still submitting my work to publishers waiting on them to accept me.

#2 is studying abroad. In college I had the opportunity to study abroad in Costa Rica, Nicaragua, and Panama.

I traveled with a student group for 3 weeks, and at the end of that, I broke off from them and stayed behind, traveling by myself to Nicaragua instead.

I have no idea why I decided to stay there on my own. Looking back on it, man was it ballsy.

But man did it teach me a lot about myself.

I was in a foreign country where I barely spoke the language, had no guide or help, and I had to learn how to live by myself in Managua, Nicaragua for two weeks.

I went to many interesting places, ate so much interesting food. But there’s one experience that I will never forget.

I had visited an ATM to get out some cash. I only had one bank card and it had all of my money on it.

I accidentally dropped my wallet while I was putting the cash in it. It took me a while to gather all my belongings.

When I looked up at the ATM, it beeped at me and told me that it had retained my card. I had to go into the bank to claim it.

In the United States that normally wouldn’t be a big deal.

But in a place like Nicaragua banks aren’t always safe. In fact, my host father recommended that I avoid them unless absolutely necessary. After all, guards with machine guns stood outside the front entrances.

I was terrified. I had no money, and no money in foreign country is nothing but trouble.

I could have gone into the bank and explained what happened.

Instead, I knew a place up the road whose clerk would let me use the phone to call my host parents. They would know what to do.

So I started up the road, traffic speeding by me as I’m freaking out.

I pulled out my wallet to get my host parents’ phone number, and what is in my wallet?

My bank card.

Seriously.

My bank card was in my wallet. The same one that the ATM ate.

I know what I saw. The ATM ate the card.

Yet here it was in my wallet.

That incident gave me a lot of faith, and it was definitely a higher power protecting me. I’ll never forget it.

And here we are at my #1 item.

#1 is a near-death experience. In 2012 after a nice dinner with my wife, I fell ill with what I thought was food poisoning. I ended up being in the hospital for a month.

That experience taught me a lot about life, and confirmed that I needed to stop wasting it.

When I got home from the hospital, I became a writer for real.

I talk more about this experience in my book, Be a Writing Machine, but this experience was integral to me becoming a writer, and it’s woven into the fabric of who I am. It’s why I always mention it on podcast interviews.

It was the #1 moment that shaped me as a writer.

QUOTE OF THE WEEK

“Only I can change my life. No one can do it for me.” Carol Burnett

 

Show's over, but it doesn't have to stop here.

If you liked this episode, you and me are probably kindred spirits.

WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

 Let me know!

Ep 19: 4th of July Fair

Ep 19: 4th of July Fair

[TheChamp-Sharing]

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This week's episode is sponsored by Reconciled People, my short story collection!

The sketchbook today inspired the story “The Book of Cutty.” Check it out along with 9 other stories inspired by my people-watching sessions!

SHOW NOTES

Quick overview of this week's show:

  • What happened at Fair St. Louis in 2005 and why it was the most memorable 4th of July for me
  • Random people-watching session that inspired a short story
Sound/Music Credits for this week's episode

Intro/Outro Music: “Kick. Push” by Ryan Little.

Hold My Hand (Ambient Mix) by Ars Sonor: http://freemusicarchive.org/music/Ars_Sonor/In_Search_of_Balance_Among_the_Shadows/07-Hold_My_Hand_Ambient_Mix_1984

“Fireworks display 2” by waxsocks: https://freesound.org/people/waxsocks/sounds/254836/

“Ambience, Large Crowd A” by Inspector J: https://freesound.org/people/InspectorJ/sounds/403180/    

Sound effects courtesy of Freesound.org.

TRANSCRIPT

In the United States, the 4th of July, or Independence Day is a major holiday.

People love to barbecue, spend time with family, and of course, take to the streets and shoot off fireworks.

For days and days before (and after) the holiday, you can hear people shooting them off, even if it’s against the law.

In my hometown of St. Louis, nothing spells 4th of July like Fair St. Louis, which is basically our version of a state fair. Thousands gather downtown for concerts and entertainment, food, fireworks, and alcohol.

In this week’s episode I’m going to talk about a people-watching session I had all the way back in 2005. This one’s an oldie but a goodie.

***

Hello, and welcome to episode 19 of the podcast.

In this week’s sketchbook episode, which may be the oldest dated sketchbook entry yet, I wanted to talk about one of the most memorable 4th of July holidays I have ever had.

The year was 2005.

I had a crew of friends and we did just about everything together. We played in jazz band together, volunteered with the American Red Cross for community service, and just generally hung out all the time on weekends.

One of my friends found out that the Black-Eyed Peas were playing at the fair, so we decided to go see them.

That year, the fair was downtown on the riverfront of the Mississippi River under the Gateway Arch.

So if you’ve ever seen St. Louis in pictures or been there yourself, you can imagine how cool it would have been to be among thousands of people, sitting on the grass under the arch, watching the river flow by and the Black-Eyed Peas singing their greatest hits.

***

We drive into downtown St. Louis, and buildings rise all around us as we fight traffic and rivers of pedestrians in order to find a parking garage.

I’m the lucky one driving, and my knuckles are practically white as I park the car on the top floor of a parking garage.

Being teenage boys, we take the stairs, joking and laughing several blocks, all the way down to the St. Louis Gateway Arch.

There are people everywhere, drinking beer, smoking, and chatting.

Underneath the Arch is a giant stage, yet we can hardly see it because we’re so far back.

The sun is bright in the sky, spinning sequins off the brown water of the Mississippi. The sky is endlessly blue, and it’s so bright that I wish I brought sunglasses.

I want to eat something but I don’t have any more money so I can’t. I’d used my paycheck from my job to pay for gas to and from the fair.

My stomach rumbles.

***

We’re sitting on a concrete wall, and it’s hot. Sweltering hot and humid, only in the way that St. Louis weather can be. Not even the breeze coming off the river can cool us down.

There’s this game we like to play. It’s a people watching game. Each of us pick out the most interesting person in sight. We talk about the person’s story and find a good laugh about it.

Various acts take the stage, play entire sets.

Of course, they keep the Black-Eyed Peas until the end, so after the fifth or sixth act, the sun is lower in the sky, and the first hint of night appears in the clouds, the skyscrapers start to blink on.

The Black-Eyed Peas take the stage, and everyone erupts into applause as they sing their hits.

They put on a pretty good concert. Not memorable, but definitely not bad.

Still, I’m hungry.

***

The concert ends, and fireworks erupt over the river. Brilliant bursts of red, blue, and purple, they fill the sky and everyone applauds as music plays.

At this point it’s around nine or ten o’clock, and we’re tired. We’ve got curfew to make.

We navigate through crowds of people making their way out of the park.

We make it back to my car and as I pull out of the parking garage, we run into trouble.

Big trouble.

Traffic is backed up for miles.

Now, traffic in St. Louis is a normal thing. It usually takes at least 30 minutes to 45 minutes one-way to get anywhere in GOOD traffic.

But this traffic jam is the worst I’ve ever seen.

All over, cars are spilling out of parking garages. People are honking aggressively at each other.

My stomach rumbles again, and my eyes fall down to my dashboard.

I’ve only got half a tank of gas at best.

***

We sit in traffic for four hours, listening to all the angry people shouting out of their cars.

There’s no accident, no hold up. Just the natural result of thousands of people crowding into a small area on a Saturday night holiday.

I have to call my grandmother to tell her I’ll be late.

I don’t know my way around downtown very well, and smartphones hadn’t been invented yet, so imagine me with a printout from MapQuest with step by step directions, consulting it to find out where to turn next.

My friends and I are tired. Exhausted.

But there are so many people walking on the street that we start to play our game again.

We’re sitting at a corner and a bunch of pedestrians pass by on the sidewalk. Among them is a middle aged black man in a bright yellow suit and a pimp hat. Seriously, the suit is as yellow as a banana. He’s wearing sunglasses and has an immaculate brown Bible under his arm. He’s also wearing shiny brown shoes with wingtips. He struts down the street.

Randomly, he shouts something about everyone needing to find Jesus and then disappears around a corner.

My friends and I all look at each other. And then we start cracking up.

***

Hope you liked that one. I didn’t get home that night until around 2AM.

Oh, and the gentleman I saw in the yellow suit inspired a short story that eventually ended up in my book, Reconciled People. It’s called “The Book of Cutty” and it’s about a black man who sets up camp on the Las Vegas Strip trying to convert as many people to Jesus as he can, and then the devil shows up to stop him.

Because I kept a description of him, I was able to use that nearly seven years later in 2012 when I sat down to write “The Book of Cutty.” That’s how valuable my sketchbook has been to me all these years.

QUOTE OF THE WEEK

“A day without sunshine is, like, you know, night.” Steve Martin

 

Show's over, but it doesn't have to stop here.

If you liked this episode, you and me are probably kindred spirits.

WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

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Ep 18: How I People-Watch

Ep 18: How I People-Watch

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This week's episode is sponsored by Episode 2 of the Podcast, Love in the Food Court!

See one of my favorite sketchbook episodes in action. It has all of the techniques I describe in this episode!

SHOW NOTES

Quick overview of this week's show:

  • How and why people watching is my secret to writing vivid, memorable scenes
  • My seven-step process for capturing any scene or person on paper with stunning accuracy
Sound/Music Credits for this week's episode

Intro/Outro Music: “Kick. Push” by Ryan Little.

Sound Effects/Miscellaneous Credits:

“Birds Whistling, A” by Inspector J: https://freesound.org/people/InspectorJ/sounds/339326/
“Ambience, Children Playing, Distant A” by Inspector J: https://freesound.org/people/InspectorJ/sounds/398160/

Sound effects courtesy of Freesound.org.

TRANSCRIPT

[Bird sounds]

Have you ever been people-watching?

There’s a park near my house that I like to people watch in. Let me tell you about a typical day here: the sky is filled with the most amazing cirrostratus clouds. There’s birds chirping in the trees, wind chimes jangling from a house neighboring the park. Children playing, yelling at each other in delight. And every once in a while, a cyclist speeds by.

And all amongst this idyllic scene are people, each one with a unique story.

I have found people watching to be an endless stream of character and story ideas.

And I have a tried and true process for every session to capture everything I see accurately. It works like magic.

In this episode I’m going to share my process with you.

***

Hello, and welcome to episode 18 of the podcast.

In this week’s episode I wanted to talk about my process for people watching because it makes for deeper stories and deeper characters.

A lot of people people-watch, but I’ve found that the most effective sessions I’ve had were the ones where I did it intentionally.

This sounds counterintuitive. After all if I said I was going to the park to intentionally find subject material, that would be a little weird.

That’s not what I’m talking about.

I almost never people watch on purpose.

But when I find myself in a situation where the people are interesting, I have seven questions that I ask that help me capture the setting, the people, and the mood with stunning accuracy.

These seven questions are magical, and it’s amazing how well they work.

Seven Questions for Better People Watching.

It goes without saying that whenever I find myself in a great situation I pull out my phone. I use the Evernote app to capture my thoughts. A benefit of Evernote is that it lets you take notes, photos, and sound.

Anyway, the first question is what do I see?

I write down what I can see. I start with the setting. I describe in a sentence or two what it looks like. Then, if I’m watching a particular person, I describe what they’re wearing, what they’re carrying, or what they’re sitting or standing on. Colors are also important and something that may not be easy to remember later.

The second question I ask is what do I smell? If I’m in a restaurant, that’s easy. I describe the food in the air. If I’m at a park, it’s usually grass or flowers. If I’m elsewhere, then it’s usually more difficult and I have to really pay attention to what my nose is telling me.

Unless there is a really strong smell, this is something I forget later when I’m trying to recreate the scene, so I try my best. Also, if I’m watching someone I’m probably too far away to smell anything on them like cologne or perfume. Sometimes if I can’t smell anything in the moment, I’ll make up details that I think go with the situation, just so I can capture it in all dimensions.

The third question I ask is what do I hear? What’s the surrounding ambiance like? If people are talking , what are they saying? I write down dialogue to the very word, paying attention to dialect, cadence of speaking, and word choice. This is so, so important when you’re creating characters. If there’s music or if someone is singing, I get creative about describing the music without capturing lyrics.

The fourth question I ask is what can I taste? If there’s no food involved, I look for anything else that might help me capture this.

The fifth question I ask is what can I touch? I’m usually not in a position to touch someone and that would get me put in jail. Instead I focus on textures. Textures on the floor, textures on surfaces like jewelry and clothing, the person’s skin.

Describing textures is one of the best ways to develop as a writer. Most people can describe sight and smells, but a pro weaves in texture. Textures also have the benefit of doing double duty when you’re using them. If I said that a woman had an alligator purse, you would both see it and imagine the texture. See what I mean?

And you’ve probably caught on that I’m simply describing the scene in the five senses.

But there are two more questions that take my observations to the next level.

What’s the Story Here?

The sixth question I ask is a simple but fun one: what’s the story here?

For people, it’s “what’s this guy’s story?” “What’s this woman’s story?”

At this point, it’s all imagination. I use what I can see to make some simple assumptions about the person.

If it’s a man and a woman sitting across from each other, based on their body language I can tell if they’re on a date, married, or just friends. Any of those scenarios is always interesting to explore.

I start with an assumption, and ask “what’s the story?” As I describe it, I then ask, “what if?” What if this couple sitting at the table next to me in the French restaurant are on a date? What if the guy is from Canada and the girl is from New Mexico? What kind of culture clashes would they have?

What’s his story? What was his mom like? Where does he like to travel? What really pisses him off? What does he do for a living?

I write and write and write.

And then I ask the last, most important question: What does the person think of this place?

Something I learned from Dean Wesley Smith, a writer who I look up, is that it’s not just enough to describe a setting in the five senses. Your character also has to have an opinion about the setting.

If you’re in a hot swamp and you hate swamps, well, that’s going to color what you see, smell, hear, taste and touch, right?

But if you’re in a restaurant with someone of the opposite sex and you’re having the time of your life, you’re going to have a much more favorable opinion of the setting.

I like to write a few sentences about the person I’m watching and what they think of the place they’re in. This way, everything they see and do is filtered through that lens. It’s a simple but very effective tool to help me get inside a character’s head.

So that’s how I people watch. To recap, I ask, what do I see, what do I hear, what do I smell, what do I taste, and what can I touch? For bonus points, I then ask “What’s the story here?”, what if questions, and “What does the person think about the setting?”

This is the process I use to capture everyday scenes. You’d be surprised how much I consult my sketchbook when it’s time to write my novels.

And, another secret that I’ll give away—when I’m writing a scene for a novel, I like to take a minute or two and imagine the scene in my mind—I imagine the people, sights, tastes, smells, textures, and sounds, character opinions BEFORE I put the character into the scene.

If you want to see my people-watching process in action, check out a couple of my previous sketchbook episodes: Love in the Food Court, Episode 2, and My Run-In with a Weird Pyramid Scheme, Episode 16.

Next week, I’ll be posting another people-watching session I had that was both fun and vivid.

QUOTE OF THE WEEK

“Develop a passion for learning. If you do, you will never cease to grow.” Anthony J. D’Angelo

Show's over, but it doesn't have to stop here.

If you liked this episode, you and me are probably kindred spirits.

WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

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Ep 17: 6/28/18 Progress Report

Ep 17: 6/28/18 Progress Report

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This week's episode is sponsored by my Patreon channel. 

For just $1/month, you can support this show and all of the content I produce. 

Special thanks to recent patrons Cariad Eccleston and A.D. Hay!

SHOW NOTES

Quick overview of this week's show:

  • Two podcast interviews
  • How the relaunch of my YouTube channel went
  • New sponsor! (Seriously!)
Sound/Music Credits for this week's episode

TRANSCRIPT

Hello, and welcome to episode 17 of the podcast.

I was looking at stats for the show, and it has been downloaded over 1,000 times. That’s a great milestone for me.

I believe everyone starts at zero. I’ve got to start somewhere and I’ll take it, so thanks to all of you who have subscribed and have been listening to me every week.

I’d also like to welcome a new patron on Patreon, Amelia D. Hay. Thank you for your support!

Writing News

In writing news, I’ve been writing like a madman. I’ve written over 75 video scripts for my Author Level Up YouTube channel. I launched it early in the month, and the response has been overwhelming positive. Many of my subscribers commented in the first day alone and welcomed me back. It’s really amazing to see such great support, and I am grateful for it. I’m back to making videos again, and it’s a beautiful thing.

I’ve noticed that there are more YouTubers in the writing space since I left, and some might see that as negative, but I see it as a positive as I think there are some great collaborations that can be done.

Also, I’m making some pretty unique videos so I’m not worried about anyone copying me. Remember, when you’re authentic and create content that only you can, you don’t have to worry about copycats or haters.

For more information on why I started up my YouTube channel, check out Episode 14 of the podcast at michaellaronn.com/episode14. And check out the new Author Level Up videos at www.authorlevelup.com or www.youtube.com/authorlevelup.

As far as fiction goes, I’ve made minimal progress on my Sound Mage Sonata series, but as summer winds down and I’ve got the YouTube channel on autopilot, I cannot wait to dive back into it.

Marketing News

In marketing news, I did an interview with Dan Blank of the Dabblers vs Doers Podcast. Dan is my co-host for the AskAlli Member Q&A Podcast. We talk about creativity, how I’m able to write so fast, and all kinds of other fun aspects of being a creative. My wife heard this one—she doesn’t listen to all of my podcasts, but she thought this one was particularly good, so if my wife approves, then you should listen, too!

I also appeared on the Literary Roadhouse Podcast with my friend Anais Concepcion. I was a guest on this show a few years back, and what’s cool about them is that they discuss short stories. One short story per show, and the guest gets to pick. So I chose “The Bottleneck” by one of my favorite writers, Hans Christian Andersen. It was fun to get their reaction to this story.

I can also claim that I am probably the only guest on the Literary Roadhouse Podcast to pick a short story about an inanimate object. That’s how I roll.

Personal News

In personal news, my wife and I proud owners of a new rabbit. She’s a Flemish Giant named Fifi. She’s literally the size of a cat. It’s our first pet in many respects, and it’s interesting to watch rabbits. They’re very sensitive, social animals, and a lot like cats. Anyway, I’ll share some pictures of her on the blog post housing this podcast episode.

Also, life hit me pretty hard this month. We ran into some problems with childcare for my daughter, which ate into my writing time. For a while, things were really uncertain and I wasn’t sure what we were going to do. Of course, the writing was fine, but it was extremely stressful and definitely affected my output.

But I kept on charging forward and now that I’m on the other side of it, and things are okay now, I’m glad I did. But it just goes to show you that you never know when life will strike. All you can do is control your response.

 

Alien Dance Club Sponsorship

And no progress episode of this podcast would be complete without a new sponsor!

I’m telling you guys, Author Level Up is getting me some serious attention. I woke up yesterday and had an email from this guy—I think he goes by Green Man. He’s a DJ and my videos on creativity inspired him so much that he decided to write a book about being an unusual DJ in an unusual club. It’s a memoir, and I cried when I read it. I haven’t even made it past the first chapter. Poor dude.

Anyway, he sent some money my way and told me he’d sponsor a show as a thank you for all the help I gave him.

So thank you Green Man for the two thousand dollars, and here’s an ad for his dance club.

[CUE HOUSE MUSIC] This episode is sponsored by The Area 51 Dance Club. We’re a dance club like no other on Earth.

Open the door, step into the light and beam yourself up to the hottest singles club in the Andromeda Galaxy.

Our dance floor is made from the finest asteroids and we’ve got a live DJ every night, spinning dope records from artists like Galaxy Dude, 27 Moons, I Can’t Breathe, and more!

Don’t like to dance? Take a float in our anti-gravity room or go tanning under our microsun lights!

And don’t worry about finding a ride home—we’ll beam you down. After we observe your every move and implant a chip in your brain, that is.

Visit the Area 51 Dance Club today. There is an alien in us all. Let it out to play.

QUOTE OF THE WEEK

“The true sign of intelligence is not knowledge but imagination.” Albert Einstein.

 

Show's over, but it doesn't have to stop here.

If you liked this episode, you and me are probably kindred spirits.

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Ep 16: How I Record The Writer’s Journey Podcast

Ep 16: How I Record The Writer’s Journey Podcast

[TheChamp-Sharing]

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This week's episode is sponsored by…(wait for it) The Writer's Journey Podcast!

This is my journey from nobody to bestseller, and I'm documenting every step of the way.

If you've enjoyed even 1 episode of the show, share the podcast with your friends using the buttons at the top and bottom of the page!

SHOW NOTES

Quick overview of this week's show:

  • How I plan, record, and publish this podcast
  • The equipment and software I use
  • How podcasts helped me build my personal brand
Sound/Music Credits for this week's episode

Intro/Outro Music: “Kick. Push” by Ryan Little.

Sound Effects/Miscellaneous Credits:

 “Whoa/wow by yugidm16”: https://freesound.org/people/yugi16dm/sounds/323438/ 

Sound effects courtesy of Freesound.org.

TRANSCRIPT

    In this week’s episode, I’m going to take you behind the scenes of The Writer’s Journey Podcast and talk about how I design, write, and record this show. Stay tuned.

    ***

    Hello, and welcome to episode 16 of the podcast. I thought I’d take some time this week to talk about how I record this show.

    Believe it or not, this podcast is a pretty minimal effort for me.

    I only do podcasts if I can make them easy on myself. Otherwise, they can eat up a lot of your time with not much benefit in return.

    So I’m going to walk through every step of how I do this show.

     

    Designing Each Episode

     

    I broke the show into weekly themes. This helped keep some variety while also giving listeners an idea of what to expect.

    The first week of the month, I talk about the writing life.

    The second week of the month, I read a page from my sketchbook.

    The third week of the month, I go behind the scenes of something in my career.

    The fourth week of the month, I give an update on my writing progress.

    My ultimate goal is to be able to turn on my microphone and just talk.

    Because I’m doing a solo podcast, I have to work a lot harder to keep your attention since I don’t have a co-host or a person to interview.

    So to do this, I break each show into segments, and my secret is that I’m usually doing something to catch your ear every 60-90 seconds, which equates to about 150-200 words.

    [INSERT SOMEONE SAYING “WHOA”]

    See what I did there?

    When I’m writing the scripts for each episode, I start thinking about what kind of sound effects and audio I want to use. I imagine every episode as a three-act play, with a beginning, middle, and end. If I need a sound effect, I grab a public domain sound from Freesound.org.

    I also think in 150 word increments and evaluate where I can “break” the content up. That could be a sound effect, a joke, a turn of thought, music, whatever. I find that small cues at certain intervals keep you listening. It’s called a pattern interrupt, and something I learned to do quite effectively with video.

    I break up the larger segments of the show with a transition sound, which you’ll hear…right now.

     

    Writing the Scripts

     

    Since I have a pretty good format established, the next step is to write the script.

    I set a hard stop for myself at around 1,000 words, sometimes a little more. I find that this number translates nicely into about a 5-7 minute show.

    It usually takes me about 20 minutes to write, edit, and proofread each script, which is a little over an hour for the month’s episodes.

    I have fun when I’m writing these episodes, and it takes nothing for me to sit down and write 1,000 words about myself, my writing, or my thoughts on something. I don’t have to think twice about it.

    And because I am a one-draft writer, I trust myself to come up with the best thought the first time, and I spend only a few minutes reviewing what I wrote.

     

    Recording and Editing the Show

     

    I wake up at 5:30 in the morning, take a shower, sit down in front of my Blue Yeti microphone, which is on my desk. I open Adobe Audition, the program I use to record and edit.

    I hit the record button and I start talking.

    If an episode is 5 minutes, it’ll take me 6-7 minutes to record because I’ll occasionally make a mistake.

    I then edit the audio, cut out the mistakes, do a few engineering things to the audio to make voice sound louder and fuller.

    For example, here’s a sample of how I sound before sound editing: [CLIP OF MICHAEL SPEAKING WITH BAD SOUND]

    You can tell it’s pretty quiet and not quite so full.

    And here’s what that same audio sounds like after editing. [CLIP OF MICHAEL SPEAKING WITH GOOD SOUND]

    Once I’m done editing, I cut the audio into smaller chunks so I can share it on Anchor and share snippets of each show on social media.

    Then, I upload the audio to Libsyn, my audio hosting company.

    I also have a template blog post that I use for each episode. I copy and paste my script into WordPress and that’s all I need to do.

    I use Canva to create a thumbnail image for my blog. I have a simple template for this, and I grab images from a royalty-free website to add some color to it.

    I schedule the podcast and blog post to go out around midnight on Thursday.

    I also have social media automated to share every time I release a new episode, so I don’t have to do anything with this.

     

    And That’s a Wrap

     

    That’s it. From a monthly perspective, I can design, write, record, and publish all of my podcast episodes in 2-3 hours.

    Once I become more successful, I can scale this and outsource it to someone. When I do that, we’re talking around a 1 hour per month commitment for what I think is a pretty high value show.

    All of that to bring good content you to fine folks.

    If you’re interested in starting a podcast, you can check the show notes for links to all the equipment and programs I use.

    If you have a message, then I recommend looking into podcasting. It’s a wonderful, cost-effective way to build an audience, just like I’m doing for this show.

     

    My Podcasting Gear

    Blue Yeti USB Microphone (Affiliate Link): https://amzn.to/2I7voeX

    Adobe Creative Cloud (which contains Adobe Audition): https://www.adobe.com/creativecloud.html

    FREE Alternative to Adobe (Audacity): https://www.audacityteam.org/

    Free Sound Effects: https://www.freesound.org

    Canva: http://www.canva.com 

     

    QUOTE OF THE WEEK

    “I like to pretend that my art has nothing to do with me.” – Roy Lichtenstein

     

    Show's over, but it doesn't have to stop here.

    If you liked this episode, you and me are probably kindred spirits.

    WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

     Let me know!

    Ep 15: My Run-In With a Dangerous Pyramid Scheme

    Ep 15: My Run-In With a Dangerous Pyramid Scheme

    [TheChamp-Sharing]

    Subscribe: Android | RSS  

     

    This week's episode is sponsored by Dream Born, Book 1 of the Magic Trackers series!

    Aisha Robinson has unusual powers—she can control people's dreams. Follow her and her two cousins as they battle to protect the city from mind-eating demons in this fast-paced urban fantasy inspired by Buffy the Vampire Slayer and the Dresden Files. Start reading with Dream Born, the first book in this urban fantasy series told from the eyes of an African-American heroine.

    Link: www.michaellaronn.com/dreamborn 

    Series: www.michaellaronn.com/magictrackers 

    SHOW NOTES

     

    Quick overview of this week's show:

    • My encounter with a seemingly innocuous “company” disguisted as a pyramid
    • A crazy account of what happened behind closed doors
    • The story of two people trapped
    • (Thank goodness I escaped!!)
    Sound/Music Credits for this week's episode

    Intro/Outro Music: “Kick. Push” by Ryan Little.

    Sound Effects/Miscellaneous Credits:

    Applause 1 by Sandermotions: https://freesound.org/people/Sandermotions/sounds/277022/Applause1

    Christian awareness message by congito perceptu: https://freesound.org/people/cognito%20perceptu/sounds/406026

    Needle Skip ZE Sound Research Inc: https://freesound.org/people/ZeSoundResearchInc./sounds/117512/

    Sound effects courtesy of Freesound.org.

    TRANSCRIPT

    Have you ever been in a situation where things seemed perfectly normal, and then something happens that makes you realize that it’s actually not very normal at all?

    In this week’s episode I’m going to talk about a run-in I had with a pyramid scheme company. This memory stands out as one of the strangest and most bizarre things I’ve ever experienced, and something I’ll remember for the rest of my life. Stay tuned.

    ***

    Hello, and welcome to episode 15 of the podcast.

    Today I’m telling my pyramid scheme story. I’ve told this to friends, but never the writing community, so here goes.

    The year was 2006. I was a freshman in high school. I was going to a small private college in Iowa, and as one of the only black people, I was trying to make the best of it.

    If you’ve never met me in person, it probably wouldn’t surprise you to know that I’m fairly outgoing and friendly, even though I’m socially awkward and an introvert at heart.

    I remember introducing myself to a lot of different people my freshman year, just trying to find people that I could relate to.

    That’s where this story begins.

     

     

     

     

    The Beginning of Bizarre

     

    It’s my freshman year of college, and I’m standing in line at the college grill, waiting to buy a hamburger. There’s a guy standing in line front of me, and I smile and nod to him.

    Slightly balding strawberry blonde hair, which was unusual for someone his age. Short, wearing a blue baseball cap, gray athletic shirt, and basketball shorts.

    We start chatting and actually ended up eating dinner together.

    He tells me about how he is majoring in business and how he is actually an entrepreneur, selling products in his spare time.

    He strikes me as a geeky kind of guy, but not the entrepreneurial type.

    I, not knowing what entrepreneurs are at the time, am impressed. I want to know more.

    He invites me to a weekly conference that he attends and says that he’d love to have me learn more about his company.

    Being a young college student with no money, I agree to join him.

    Mistake #1.

     

    The Middle of Bizarre, Part 1

     

    A few days later, we arrive at a local hotel. My acquaintance is dressed up, wearing a black suit and tie, which is a complete wardrobe reversal for him.

    There are signs everywhere directing us to the conference center, a gigantic ballroom in the back of the hotel. Crystal chandeliers hanging from the ceiling, a big stage in the front with blue and green lights shining in the center.

     

    There are people everywhere, crowds and crowds of them, like your typical conference.

    They’re all dressed up, too. I’m wearing a lavender button-down oxford and jeans, and I feel out of place.

    As we’re pushing through the crowd, people are calling out my acquintance’s name.

    As he shakes hands and waves at people, I think to myself, this is awfully elaborate for a weekly conference.

    He introduces me to his district manager, a mousy guy who’s my age, which is saying something because I’m only 19.

     

    The Middle of Bizarre, Part 2

     

    We sit at a table and the manager tells me how he’s invested his life into the business.

    He had a full ride to a prestigious school in the Midwest United States, but he dropped out of college to be a businessman, and he’s all-in.

    I ask him what the company sells, and he tells me they sell… products. He hands me a brochure. There are energy drinks, shakes, exercise accessories. Things I would hardly call entrepreneurial.

    It also doesn’t make sense that he keeps claiming he’s an entrepreneur, yet he’s employed by this company.

    I pepper him with dozens of questions, and to this day I don’t think that he ever gave me a clear answer on exactly what the business was or how it made money.

     

    Instead, he asks me point blank, “do you want a new future?”

    I’m taken aback.

    “You’re a smart guy,” he says. “And black. You could really make a name for yourself in this industry.”

    I politely decline.

    He asks again, I decline.

    He asks me again, and I tell him “look, dude. I’m cool.”

    Then he gets up and walks away, tells me that he’ll check in with me after the conference.

    He’s not going to take no for an answer, and that’s when my gut tells me something’s not right here.

     

    The Middle of Bizarre, Part 3

     

    More people sit down and I find myself sitting next to an Asian woman about my age.

    I ask her some questions and we start chatting. I’m sensing some flirting, and she is pretty attractive.

    She’s dressed in a tan blouse and a long pencil skirt. There’s a pen tucked behind her ear and she has a portfolio on her lap filled with eloquently written notes about profit & loss, supply & demand, target markets and funnels. She strikes me as smart and assertive.

    She tells me that she works for an aquarium manufacturer by day, but that she dreams of being her own boss. I ask her what she sells, and her answer makes zero sense.

    Still, I like her personality and her energy.

     

    The Middle of Bizarre, Part 4

     

    The conference begins.

    The lights dim, everyone claps, and a tall man in a double-breasted suit jogs on stage. He looks and sounds like a pastor.

    What ensues is a sermon, but not about God. This sermon is about business.

    The guy chastises everyone in the room for not activating their full potential, and then he praises them in the next sentence for being brave and taking their lives into their own hands.

    He talks about how he just bought a brand new Cadillac because he was a good businessman. He calls two people up to the stage, hands them the keys to THEIR brand new Cadillacs because they are the sales people of the year. Everyone claps.

    The whole time, the woman is taking notes, filling up page after page.

    I’m confused.

     

     

    The End of Bizarre

     

    I’m chatting with the Asian woman the whole time, and we’re hitting it off. Despite the fact that I have no clue about the business she’s in, I’d like to get to know her better.

    I’m pretty shy when it comes to these things, but I mustered up the courage to ask her out for…ice cream.

    Her eyes light up when I ask the question, then she says to hold on, she needs to ask her manager if he would give her permission to go out with me for ice cream. [CUE NEEDLE SKIP]

    She ventures through the crowd, asks the manager I confronted earlier. He gives me an evil look.

    Then she wanders back over and says “I’d really like to go out with you, but he won’t allow it.”

    My head is about to explode.

    I tell her thanks, and good luck.

    Then I turn.

    And I run like hell.

    True story.

    So that’s my pyramid scheme story. I researched that “company” later that night and found out that it was, in fact, an alleged scheme. I read horror stories of people who invested tens of thousands of dollars into it, only to find themselves in a dangerous physical, financial, mental, and emotional danger, usually from manipulation.

    I won’t share any more because I don’t want anyone to know what company I’m talking about. This is some scary stuff.

    I can laugh about the event now, but I remember feeling really sorry for that woman.

    She was definitely in over her head. Whatever kind of relationship she had with her “boss”, it couldn’t have been healthy. Not if she couldn’t think for herself.

    I read stories of “managers” controlling every aspect of people’s lives, even telling them what to wear and say. I’m pretty sure some manipulation was at work here.

    I think sometimes if maybe I should have done something. Called the police and reported the incident. But I’m pretty sure that wouldn’t have ended well for her OR me. I hope she got out.

    Or, maybe I was completely wrong and misread the situation. Or maybe she misunderstood what I was asking. I don’t think so, though. I was pretty clearly asking her out on a date.

    I never saw her again.

    As for the acquaintance that dragged me to the event, I don’t know what happened to him, either.

    QUOTE OF THE WEEK

     

    “Loneliness adds beauty to life. It puts a special burn on sunsets and makes night air smell better.” – Henry Rollins

     

    Show's over, but it doesn't have to stop here.

    If you liked this episode, you and me are probably kindred spirits.

    WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

     Let me know!