Ep 32: Behind the Scenes of Magic Souls

Ep 32: Behind the Scenes of Magic Souls

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This week's episode is sponsored by Magic Souls, the subject of the episode! Experience a new kind of interactive adventure–a reimagining of Choose Your Own Adventures, specially designed for ebooks.

SHOW NOTES

In this week’s episode I go behind the scenes of writing my first novel, Magic Souls. Not only did I have to learn how to write a novel, I had to learn how to write an interactive novel and format it! Easier said than done. 

    Sound/Music Credits for this week's episode

    Intro/Outro Music: “Kick. Push” by Ryan Little.

    Sound Effects/Miscellaneous Credits:

     

    Sound effects courtesy of Freesound.org.

    TRANSCRIPT

    You only write your first book once. And that first book is usually filled with your hopes and dreams. 

    And in my case, I signed up for double the punishment. 

    My first novel was an interactive novel I describe as a Choose Your Own Adventure for adults. So not only did I have to learn to write a novel, I had to learn to make it interactive and engaging. 

    In this week’s episode, I’m going to talk about the process of creating my first book, Magic Souls. 

    Hello, and welcome to episode 32. This week, I thought I’d take you behind the scenes of my first novel, the one that put me on the publishing map. 

    The year was 2012, and I’d just gotten out of the hospital. I was listening to all the major podcasts learning how to self publish, but I had no idea what I wanted to write. 

    Around that time, maybe a few months later, I found myself thinking about the old Choose Your Own Adventure books. They were fun to read and I wondered what had ever happened to them. 

    I found one on Amazon and was surprised to see a Kindle version. 

    I downloaded it, expecting to relive my childhood, but what I found was that the book hadn’t aged well. The reading experience hadn’t aged well either, and this kind of interactive book wasn’t easy to read on a Kindle. 

    I searched to see if the interactive fiction genre had evolved. Aside from a few books that tried to update the genre to the modern era, most of them were in the same style—fun, second person POV with more of a gamebook approach. And there was a big movement for text-based games, but that wasn’t something I was interested in.  

    I wanted to read a novel like the ones I was reading now as an adult, but interactive. I wanted a book with an adult character who had depth. I wanted a book that wasn’t in the second person. I wanted something with some storytelling behind it rather than just basic, endless choices. I wanted a story structure.  

    Turns out, that didn’t exist. 

    So I decided to create it. 

    I discovered that writing an interactive novel wasn’t going to be easy. I hadn’t written a NOVEL before, so I had to learn how to do that. That in and of itself is enough to make some people quit. 

    I had to go and punish myself further and make it interactive. But I didn’t know the first thing about ebook formatting. I barely knew what an ebook was. I had read plenty of them, but I didn’t know the first thing about how you’d go about creating one. 

    Yet I had this vision of an incredibly interactive novel in my mind; one that built upon the traits that made Choose Your Own Adventures so popular, but evolved them. 

    There were a lot of things I felt were holding this genre back. 

    The second person POV was one. This is great narrative device if you want levity, but if you want to create a character that readers love and believe in, you can’t do that in the second person. 

    So I decided before I even had an idea I was going to write in the first person. Huge deviation from the commonly accepted practices in this genre. 

    I also decided that I didn’t like the loose structure. I wanted to create something that readers would recognize as a beginning, middle and end. The interactivity and story choices would affect the beginning, middle and end, but there would still be a character arc. So I deviated from the genre’s common practices again. 

    Eventually, I came up with the idea of a moral/ethical story. What if someone had magical powers, and had to make decisions based on those powers? What if those magical powers were granted by a demon? What if the hero or heroine was being controlled by that demon and had to make decisions between worse and worst? What if she had no other choice but to be bad?

    I settled on the title How to Be Bad, which later became Magic Souls. It ultimately was the story of Bebe McFerrin, a young attorney who is a pushover. She has no confidence and can’t stand up for herself. When a coworker steals her only chance for promotion, Bebe wishes that she could be stronger. 

    Enter the demon Ladouche, who grants Bebe the ability to commit any crime without punishment. She can do anything she wants and he guarantees she will have immunity. 

    So of course, Bebe falls for it and gets revenge against her coworker. When the consequences for her coworker turn out to be life-changing (in a bad way), Bebe regrets the deal and tries to shed her powers. But turns out she’s made a deal with a demon and she can’t break the contract. If she does, she’ll lose her own soul. 

    Ladouche requires her to steal the souls of three innocent people as payment for his act of kindness. 

    And this is where the story begins, with Bebe wrestling with her moral dilemma and coming to grips with her new powers.

    The story is what I call an ethical train wreck on every page. Bebe has to lie, cheat, and steal her way into three innocent peoples’ hearts, and the decisions you make are really just a matter of how she does it. 

    There are multiple endings, and the story takes interactivity to the next level. 

    Instead of flipping pages, I designed the book for e-readers, phones, and tablets, so when you come to a decision, you simply tap on the decision you want.

    Also, I built in mechanisms to stop you from getting lost, and it’s easy to go back to where you left off.

    And finally, my crowning achievement for this book is that I put a game show in the book. An actual game show that YOU, the reader can participate in. I’m not kidding, and you have to see it to believe it. It’s a complicated game show with multiple rounds that you can win or lose. There are multiple contestants who all make different decisions based on your choices. Seriously, it’s a lot of fun. 

    Anyway, this book was the result of learning the craft of writing a novel, twisting that and making it interactive, and some sophisticated book formatting. 

    I like to joke that Magic Souls was an accelerated masterclass in how to write. I almost took on more than I could handle, but it was an amazing experience. When it was time to write my next novel, I was already writing and formatting at a level beyond most people’s second books, at least in the sense that I knew how to write a multi-arc story and execute on multiple plots at the same time. 

    So that’s the story of my first novel. You can find it at www.michaellaronn.com/magicsouls.  

    You can also read more about how I wrote my interactive elements in my book, Interactive Fiction. It’s my manifesto on what I believe the genre can achieve. 

    QUOTE OF THE WEEK

    “There are plenty of skills I've learned from playing video games. It's more interactive than watching TV, because there are problems to solve as you're using your brain.” Shaun White 

    Show's over, but it doesn't have to stop here.

    If you liked this episode, you and me are probably kindred spirits.

    WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

     Let me know!

    Ep 30: Writing vs. Reading

    [TheChamp-Sharing]

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    This week's episode is sponsored by my old podcast, the To Be Read Podcast! Check out 100 episodes that cover my favorite books!

    SHOW NOTES

    Writers write. Readers read. But as a professional writer, I’ve found it difficult to balance the two. In this week’s episode I talk about my struggle to find time to read.

    Sound/Music Credits for this week's episode

    Intro/Outro Music: “Kick. Push” by Ryan Little.

    Sound Effects/Miscellaneous Credits:

     

    Sound effects courtesy of Freesound.org.

    TRANSCRIPT

      Before I was a writer, I was a reader. A prolific reader. But when I started writing, reading became a struggle for me. In this week’s episode, I’m going to talk about that.

      ***

      Hello, and welcome to episode 30. I wanted to talk this week about writing versus reading, because for me, it’s a constant struggle.

      I was a prolific reader before I started writing professionally. I read at least 200 books or so a year.

      In fact, I co-hosted a podcast where I talked about the books I was reading. It was called the To Be Read Podcast, and we did over 100 episodes talking about the books we loved. That show was cool because it forced me to keep reading so I could have something to talk about every week. I’ll drop a link to it in the show notes.

      I was also active at my local library. Des Moines has a great library system, so I used it for inter library loans, and I used Overdrive to check out a lot of ebooks and audiobooks.

      And of course, don’t get me started on Amazon. I bought books practically every week, so much that it was becoming a problem. Ask my wife.

      Pretty much, if I wanted to find a book, I could find it. And I read a lot of books that were outside of the mainstream. That’s why I think I approach writing differently than others.

      When I decided to become a professional writer, however, it became very difficult to balance writing with reading. After all, I still had a full-time job to worry about, and night classes, and a family to raise. And I found that I had to keep up with a lot of podcasts and blogs in order to be successful at writing. So naturally, reading fell by the wayside for me, which is something I hate and it dogs me literally every day.

      I still read, but not at the level I used to. If I’m lucky, I read maybe 50 books a year, which is pitiful if you knew how much I used to read.

      So, when I become more successful in my career, I’ve always said that I’ll use extra time to read and consume.

      I write plenty of novels per year and writing quantity is not a problem for me.

      If I can ever put myself in a position where I’m writing full time, I’ve always said that I’ll be a full-time reader and keep the amount of writing I do the same.

      I’ve tried to cut down in my word counts and read more, but I always get anxious when I’m not writing. I’m always striving for personal bests, so to write less just makes me lose sleep.

      I’ve also adopted audiobooks as my primary listening vehicle, listening when I’m in my car to and from work and doing chores. But that still doesn’t quite replace the time lost.

      Writing vs reading is one of the biggest struggles I believe writers have to deal with, finding the time to read when writing is your primary job.

      I know you can’t write if you don’t read, but if you don’t write, you don’t have a career. So it’s a difficult balance. At least for me.

      But I’m committed to reading. It’s how I got my start.

      Reading for me is like writing; it’s as sacred as prayer. It’s how I discover the inner workings of other people and learn my own inner workings.

      But boy, it’s not easy to read when you are a writer. And definitely something I wish someone had told me when I started writing.

      I suppose nothing in life is perfect. This kind of balance struggle is what keeps life interesting, you know? If it wasn’t a struggle between writing and reading, it would be something else. So I’ve just learned to live with the discomfort and I make sure that I do enjoy the little time I have to read.

      Check out the To Be Read Podcast: https://www.youtube.com/channel/UC0PiSCERUfn2qXBQccvgvMg 

       

      QUOTE OF THE WEEK

      “Reading is to the mind what exercise is to the body.” Joseph Addison

       

      Show's over, but it doesn't have to stop here.

      If you liked this episode, you and me are probably kindred spirits.

      WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

       Let me know!

      Ep 28: Why I Quit a Series

      Ep 28: Why I Quit a Series

      [TheChamp-Sharing]

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      This week's episode is sponsored by my “Why I Quit Writing” Video on Author Level Up. Learn more about my decision to quit my Sound Mage Sonata series. 

      SHOW NOTES

      In this week’s episode I talk about why I stopped writing my latest series and why I have no problem failing in public.

        Sound/Music Credits for this week's episode

        Intro/Outro Music: “Kick. Push” by Ryan Little.

        Sound Effects/Miscellaneous Credits:

         

        Sound effects courtesy of Freesound.org.

        TRANSCRIPT

        Sometimes you’ve just got to call it quits on a novel.

        I don’t normally believe in quitting, but in this week’s episode I’m going to talk about why I stopped writing my Sound Mage Sonata urban fantasy series, and how I failed miserably in public.

        ***

        Hello, and welcome to episode 28.

        I wanted to give you guys an update on my Sound Mage Sonata series.

        If you’ve been listening to the podcast for a while, you probably heard me talk about it a lot. Some of you wrote me and told me that you were interested in it.

        And then I stopped talking about it.

        Why?

        I take pride in the fact that I don’t usually quit my novels. I write them from start to finish, even when things get rough.

        I just prefer to finish what I start, and I’m always glad that I did when I look back on the project.

        But this project proved too difficult for me to continue.

        In episode 3, I talked about the research I was doing for the Sound Mage Sonata series. I talked about the research I’d done into Islam, Dubai, Middle Eastern customs and culture, and music.

        At this point I had spent a fair number of hours on research and I had a lot to show for it.

        I was about 10,000 words into the novel when I hit a roadblock. At first, I couldn’t figure out what it was.

        So I did some more research, and I discovered a problem.

        It would be a very bad idea to mix Muslims and magic together.

        In Islam, Magic is something to be feared. It’s the mark of dishonesty. To even dabble with it invites danger into your life, and it is frowned upon. Now, not all Muslims feel this way, but I started researching magic use and Muslims and most sources I found agreed.

        That was a problem because my main character was a Muslim and he used magic. I mean, you can’t have urban fantasy without magic.

        So I had a problem.

        ***

        I played around with the idea of inventing a religion instead—but that didn’t work because the setting was very clearly in a city inspired by Dubai. To set something in a Middle Eastern setting and use any other religion than Islam just didn’t feel right. It also didn’t help that the story featured jinn prominently.

        I couldn’t put jinn in the story without the culture that they came from. While that works for Western mythology and creatures, it doesn’t really work for Middle Eastern folklore, at least not in a way that feels genuine.

        I realized it would be exceedingly difficult to do this story without crossing some kind of line.

        It’s important to me that my stories are inclusive and not misappropriation in any way, so I ultimately made the decision to quit writing the series until I could make it work. And in order to do that, I’d have to do a lot more research, something that would require travel and a lot of time I didn’t have.

        So I stopped.

        That was a career first for me, but it’s important to me that I write stories that respect my readers. The last thing I want to do is offend or insult someone who has spent their hard earned money on my work—at least not intentionally.

        But I learned a lot of things about the Middle East that I can use for future novels, and I look forward to that day.

        Until then, the Sound Mage Sonata series is going in my someday pile.

        Sometimes failure happens. I definitely failed with this series.

        I mean, I talked about it in public, put myself out there. Most people would wait until the book was done before talking about it.

        I definitely failed in public in front of all of you guys, but it doesn’t bother me. I don’t really see it as a failure. In fact, the idea that I failed never even occurred to me until I was writing this episode. I learned a lot about a culture, wrote 10,000 words of a novel, and ultimately made a hard decision with my readers in mind. That’s a win in my mind, and practice for the next time something like this happens.

        So at the end of the day, I’m going to keep on keeping on, and I’m going to write a new urban fantasy series that I know you guys will love.

        QUOTE OF THE WEEK

         

        “Success is not final, failure is not fatal: it is the courage to continue that counts.” Winston Churchill

        Show's over, but it doesn't have to stop here.

        If you liked this episode, you and me are probably kindred spirits.

        WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

         Let me know!

        Ep 24: How I Deal with Writer’s Block

        Ep 24: How I Deal with Writer’s Block

        [TheChamp-Sharing]

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        This week's episode is sponsored by Michael's direct book sales. Did you know that you can buy books from Michael directly, with the ebook delivered to your e-reader of choice? 

        Select your next book from his catalogue today: www.michaellaronn.com/books 

        SHOW NOTES

        Writer’s block affects every writer. In this episode, I talk about unique skill I’ve cultivated that has helped me turn moments of “writer’s block” into the best sources of my creativity.

          Sound/Music Credits for this week's episode

          Intro/Outro Music: “Kick. Push” by Ryan Little.

          Sound Effects/Miscellaneous Credits:

           

          Sound effects courtesy of Freesound.org.

          TRANSCRIPT

          Writer’s Block hits every writer. Some can deal with it in a matter of hours, some can overcome it in a matter of days, and others, unfortunately, never beat it.

          I don’t personally believe in writer’s block, but there have been times when I’ve been stuck in my books.

          This week, I’m going to talk about how I power through the hard times, and a unique skill I’ve cultivated that has helped me turn moments of “writer’s block” into the best sources of my creativity.

          ***

          Hello, and welcome to episode 24.

          For my behind the scenes episode this week, I wanted to spend some time talking about how I deal with writer’s block.

          I mentioned that I don’t believe in Writer’s Block. I know that sounds a little smug, but here’s my problem with the word “writer’s block”—it’s really just an excuse most of the time.

          It’s so easy to say, “I can’t write because I have writer’s block.” And then days and months pass and you have nothing to show for it.

          Most authorities in writing treat writer’s block as a major struggle to be won. It’s this huge battle that writer’s face on a regular basis…

          I just refuse to believe all of that.

          I believe that we as writers have to do a better job of focusing on solutions, not excuses. And writer’s block to me seems like a really convenient excuse. Let me explain.

          ***

          Now, I don’t mean to diminish the struggle that people feel when they’re stuck in their manuscript. All writers get stuck and that’s the truth. I’ve been stuck in my own books many times.

          However, I think mindset is really important and goes a long way here.

          Despite the fact that I’m stuck, I don’t call it writer’s block.

          I’m going to get metaphysical for a minute, but stick with me.

          I believe that your subconscious is the source of your creativity. It knows exactly what to write, how to write, and where. My subconscious—or muse—or creative voice as Dean Wesley Smith calls it—is my guiding light. It will help you over every obstacle if you just listen to it.

          But most people can’t and won’t do that. Instead, they write from the logical part of their brains, which is actually not a very good idea because this part of the brain is also where the inner critic lives. The writer often undermines what the subconscious originally gives them, because he or she thinks that she ultimately knows better and knows what readers want.

          When writers quit, it’s usually because of the inner critic giving up.

          I personally believe that abolishing the inner critic is one of the most important things a writer must do to be creative.

          When you do that, you’ll actually be able to LISTEN to your subconscious. And that’s how you remain creative.

          And when you LISTEN to your subconscious, it will actually tell you what it needs.

          It’s not stuck because of writer’s block. It’s stuck because it needs something. I view it as my job to give it what it needs.

          ***

          Let me give you my best example of nurturing my creative voice.

          In my novel, Android Deception, I got to a section halfway through the book and got stuck.

          I fought against it for a long time, dragging myself to my computer and trying to bang out words, but it didn’t work.

          Instead, I listened to myself and let myself drift.

          My wife and I visited a local bakery that I had never been to before. That experience was exactly what I needed. It was amazing experience—creative decor, incredible ambience, and lots of interesting people.

          While I was there, I remember asking myself, “How would I write this into a novel?”

          And I connected it to my novel. When I got home, it turns out that scene gave me the inspiration I needed, and I wrote the bakery into the next chapter. That ended up being the most memorable chapter in the book.

          So did I have writer’s block?

          No.

          I gave my subconscious what it needed, which was a new experience. I leaned into the fact that I didn’t know what to write next. In other words, I let myself drift. I let life happen around me and I was rewarded for it as a result.

          I view writer’s block as productive discomfort. Instead of fearing it, I embrace it.

          It’s like when your car skids out of control. The natural inclination is to swerve the opposite direction, but that makes it worse. The way to regain control is actually to lean into the direction your car is swerving.

          For me, writing is no different.

          Now, I’ll admit. Some people might hear this message and think, Cool, I can procrastinate when I get stuck!

          I’m not saying that. Drifting and listening to your subconscious sometimes is a matter of having strong will and motivation to return to your manuscript. Otherwise, you’ll never finish.

          I don’t let myself drift for very long. Just long enough to let life seep in to my novels. And if you live life to the fullest, keep your eyes open, and pay attention to your surroundings, it won’t take very long.

          Anyway, I thought I’d share that secret with you, as it’s gotten me through a fair amount of pain points in my books. I talk more about this in my book, Be a Writing Machine, if you want to hear more about writing process.

          QUOTE OF THE WEEK

          “Patience and perseverance have a magical effect before which difficulties disappear and obstacles vanish.” John Quincy Adams

           

          Show's over, but it doesn't have to stop here.

          If you liked this episode, you and me are probably kindred spirits.

          WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

           Let me know!

          Ep 20: Top 10 Moments That Shaped Me as a Writer, Part 2

          Ep 20: Top 10 Moments That Shaped Me as a Writer, Part 2

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          This week's episode is sponsored by Be a Writing Machine!

          Learn how all of Michael's top 10 moments converged into helping him become a writer. Learn the story of him searching for his biological father, his near-death experience in 2012, and more!

          SHOW NOTES

          Quick overview of this week's show:

          • My top 5 moments that shaped me as a writer (follow up to Episode 11, so if you missed it, check it out and come back here)
          Sound/Music Credits for this week's episode

          Intro/Outro Music: “Kick. Push” by Ryan Little.

          Sound Effects/Miscellaneous Credits:

           

          Sound effects courtesy of Freesound.org.

          TRANSCRIPT

          In this week’s episode I’ll be following up on the Top 10 Moments that Shaped Me as a Writer. I’ll be talking about my Top 5.

          ***

          Hello, and welcome to episode 20 of the podcast! I’m twenty episodes in, and the podcast doesn’t feel new to me anymore. Thanks to everyone that has tuned in so far, and here’s to a bright future to the podcast!

          In episode 11, I counted down the first half of the Top 10 Moments that Shaped Me as a Writer. If you haven’t heard that episode, you can find it at michaellaronn.com/episode11.

          Anyway, the first round was finding my biological father, taking WMG Workshops with Dean Wesley Smith, reading the works of Swami Vivekananda and Ray Bradbury, and learning how to speak Spanish. Those experiences developed me as a writer in important ways, and if you read my work, their influence on me is obvious.

          So let’s jump into my Top 5, shall we?

          Top Moments in My Creative Life, #5-4

          #5 is writing music. As you guys know, I started my creative career as a musician. I was writing songs in high school, and very active in band. I'd come home from school, do my homework, practice my saxophone, and then I'd write music.

          I had a computer program that allowed me to capture my ideas and it would play them back for me. I would try to recreate my favorite songs in this app, and I started with TV themes. I collected TV Themes because they were so fun to play. Because smartphones didn’t exist, I carried around a CD of my favorite TV Themes.

          Matlock. The Odd Couple. Knight Rider. Alf. I Love Lucy. Moonlighting. The Cosby Show. The Greatest American Hero. Great music.

          Anyway, writing music was important in my development as a writer, and my love of TV Themes brings me to #4, which is my friendship with my friend, Will.

          When I was collecting TV Themes and writing music, it turns out he was doing the exact same things as me—learning how to play music and write it. I don’t even remember how we met, but we were in marching band together and we ended up talking about TV Themes and I shared my CD with him.

          Thirteen years later, we’re best friends. Music-wise and life-wise, we’re on the same wavelength.

          I can remember hours and hours spent at both our houses, writing songs.

          Now, I’m a creative, but he’s even more of a creative than me. I remember learning so much watching him play music, explore his guitar and piano as we figured out chord changes. He has an incredible eye and ear, and working with him taught me to sharpen my eyes and ears, too.

          Will is musician these days so he stayed on the music route, but we’re still best friends all these years later.

          Top Creative Moments in My Life, #3-2

          #3 is The Creative Penn by Joanna Penn. I’ll talk more about the circumstances that led to me finding Joanna in my #1 item, but listening to Joanna’s podcast and reading her blogs inspired me to be an indie author. If I hadn’t done that, I would probably be still submitting my work to publishers waiting on them to accept me.

          #2 is studying abroad. In college I had the opportunity to study abroad in Costa Rica, Nicaragua, and Panama.

          I traveled with a student group for 3 weeks, and at the end of that, I broke off from them and stayed behind, traveling by myself to Nicaragua instead.

          I have no idea why I decided to stay there on my own. Looking back on it, man was it ballsy.

          But man did it teach me a lot about myself.

          I was in a foreign country where I barely spoke the language, had no guide or help, and I had to learn how to live by myself in Managua, Nicaragua for two weeks.

          I went to many interesting places, ate so much interesting food. But there’s one experience that I will never forget.

          I had visited an ATM to get out some cash. I only had one bank card and it had all of my money on it.

          I accidentally dropped my wallet while I was putting the cash in it. It took me a while to gather all my belongings.

          When I looked up at the ATM, it beeped at me and told me that it had retained my card. I had to go into the bank to claim it.

          In the United States that normally wouldn’t be a big deal.

          But in a place like Nicaragua banks aren’t always safe. In fact, my host father recommended that I avoid them unless absolutely necessary. After all, guards with machine guns stood outside the front entrances.

          I was terrified. I had no money, and no money in foreign country is nothing but trouble.

          I could have gone into the bank and explained what happened.

          Instead, I knew a place up the road whose clerk would let me use the phone to call my host parents. They would know what to do.

          So I started up the road, traffic speeding by me as I’m freaking out.

          I pulled out my wallet to get my host parents’ phone number, and what is in my wallet?

          My bank card.

          Seriously.

          My bank card was in my wallet. The same one that the ATM ate.

          I know what I saw. The ATM ate the card.

          Yet here it was in my wallet.

          That incident gave me a lot of faith, and it was definitely a higher power protecting me. I’ll never forget it.

          And here we are at my #1 item.

          #1 is a near-death experience. In 2012 after a nice dinner with my wife, I fell ill with what I thought was food poisoning. I ended up being in the hospital for a month.

          That experience taught me a lot about life, and confirmed that I needed to stop wasting it.

          When I got home from the hospital, I became a writer for real.

          I talk more about this experience in my book, Be a Writing Machine, but this experience was integral to me becoming a writer, and it’s woven into the fabric of who I am. It’s why I always mention it on podcast interviews.

          It was the #1 moment that shaped me as a writer.

          QUOTE OF THE WEEK

          “Only I can change my life. No one can do it for me.” Carol Burnett

           

          Show's over, but it doesn't have to stop here.

          If you liked this episode, you and me are probably kindred spirits.

          WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

           Let me know!

          Ep 16: How I Record The Writer’s Journey Podcast

          Ep 16: How I Record The Writer’s Journey Podcast

          [TheChamp-Sharing]

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          This week's episode is sponsored by…(wait for it) The Writer's Journey Podcast!

          This is my journey from nobody to bestseller, and I'm documenting every step of the way.

          If you've enjoyed even 1 episode of the show, share the podcast with your friends using the buttons at the top and bottom of the page!

          SHOW NOTES

          Quick overview of this week's show:

          • How I plan, record, and publish this podcast
          • The equipment and software I use
          • How podcasts helped me build my personal brand
          Sound/Music Credits for this week's episode

          Intro/Outro Music: “Kick. Push” by Ryan Little.

          Sound Effects/Miscellaneous Credits:

           “Whoa/wow by yugidm16”: https://freesound.org/people/yugi16dm/sounds/323438/ 

          Sound effects courtesy of Freesound.org.

          TRANSCRIPT

            In this week’s episode, I’m going to take you behind the scenes of The Writer’s Journey Podcast and talk about how I design, write, and record this show. Stay tuned.

            ***

            Hello, and welcome to episode 16 of the podcast. I thought I’d take some time this week to talk about how I record this show.

            Believe it or not, this podcast is a pretty minimal effort for me.

            I only do podcasts if I can make them easy on myself. Otherwise, they can eat up a lot of your time with not much benefit in return.

            So I’m going to walk through every step of how I do this show.

             

            Designing Each Episode

             

            I broke the show into weekly themes. This helped keep some variety while also giving listeners an idea of what to expect.

            The first week of the month, I talk about the writing life.

            The second week of the month, I read a page from my sketchbook.

            The third week of the month, I go behind the scenes of something in my career.

            The fourth week of the month, I give an update on my writing progress.

            My ultimate goal is to be able to turn on my microphone and just talk.

            Because I’m doing a solo podcast, I have to work a lot harder to keep your attention since I don’t have a co-host or a person to interview.

            So to do this, I break each show into segments, and my secret is that I’m usually doing something to catch your ear every 60-90 seconds, which equates to about 150-200 words.

            [INSERT SOMEONE SAYING “WHOA”]

            See what I did there?

            When I’m writing the scripts for each episode, I start thinking about what kind of sound effects and audio I want to use. I imagine every episode as a three-act play, with a beginning, middle, and end. If I need a sound effect, I grab a public domain sound from Freesound.org.

            I also think in 150 word increments and evaluate where I can “break” the content up. That could be a sound effect, a joke, a turn of thought, music, whatever. I find that small cues at certain intervals keep you listening. It’s called a pattern interrupt, and something I learned to do quite effectively with video.

            I break up the larger segments of the show with a transition sound, which you’ll hear…right now.

             

            Writing the Scripts

             

            Since I have a pretty good format established, the next step is to write the script.

            I set a hard stop for myself at around 1,000 words, sometimes a little more. I find that this number translates nicely into about a 5-7 minute show.

            It usually takes me about 20 minutes to write, edit, and proofread each script, which is a little over an hour for the month’s episodes.

            I have fun when I’m writing these episodes, and it takes nothing for me to sit down and write 1,000 words about myself, my writing, or my thoughts on something. I don’t have to think twice about it.

            And because I am a one-draft writer, I trust myself to come up with the best thought the first time, and I spend only a few minutes reviewing what I wrote.

             

            Recording and Editing the Show

             

            I wake up at 5:30 in the morning, take a shower, sit down in front of my Blue Yeti microphone, which is on my desk. I open Adobe Audition, the program I use to record and edit.

            I hit the record button and I start talking.

            If an episode is 5 minutes, it’ll take me 6-7 minutes to record because I’ll occasionally make a mistake.

            I then edit the audio, cut out the mistakes, do a few engineering things to the audio to make voice sound louder and fuller.

            For example, here’s a sample of how I sound before sound editing: [CLIP OF MICHAEL SPEAKING WITH BAD SOUND]

            You can tell it’s pretty quiet and not quite so full.

            And here’s what that same audio sounds like after editing. [CLIP OF MICHAEL SPEAKING WITH GOOD SOUND]

            Once I’m done editing, I cut the audio into smaller chunks so I can share it on Anchor and share snippets of each show on social media.

            Then, I upload the audio to Libsyn, my audio hosting company.

            I also have a template blog post that I use for each episode. I copy and paste my script into WordPress and that’s all I need to do.

            I use Canva to create a thumbnail image for my blog. I have a simple template for this, and I grab images from a royalty-free website to add some color to it.

            I schedule the podcast and blog post to go out around midnight on Thursday.

            I also have social media automated to share every time I release a new episode, so I don’t have to do anything with this.

             

            And That’s a Wrap

             

            That’s it. From a monthly perspective, I can design, write, record, and publish all of my podcast episodes in 2-3 hours.

            Once I become more successful, I can scale this and outsource it to someone. When I do that, we’re talking around a 1 hour per month commitment for what I think is a pretty high value show.

            All of that to bring good content you to fine folks.

            If you’re interested in starting a podcast, you can check the show notes for links to all the equipment and programs I use.

            If you have a message, then I recommend looking into podcasting. It’s a wonderful, cost-effective way to build an audience, just like I’m doing for this show.

             

            My Podcasting Gear

            Blue Yeti USB Microphone (Affiliate Link): https://amzn.to/2I7voeX

            Adobe Creative Cloud (which contains Adobe Audition): https://www.adobe.com/creativecloud.html

            FREE Alternative to Adobe (Audacity): https://www.audacityteam.org/

            Free Sound Effects: https://www.freesound.org

            Canva: http://www.canva.com 

             

            QUOTE OF THE WEEK

            “I like to pretend that my art has nothing to do with me.” – Roy Lichtenstein

             

            Show's over, but it doesn't have to stop here.

            If you liked this episode, you and me are probably kindred spirits.

            WHAT DO YOU THINK OF THIS WEEK'S EPISODE?

             Let me know!